jaemillionaire.blogg.se

Mamiya 6 review
Mamiya 6 review








  1. MAMIYA 6 REVIEW PORTABLE
  2. MAMIYA 6 REVIEW SERIES
  3. MAMIYA 6 REVIEW FREE

A Leica M shutter speed dial it is not.Īs such I find myself just setting it to the “square” i.e. It’s tight but made of plastic so there’s a bit of play when you add force to move the dial with one finger. The dial is big but i found it difficult to adjust the shutter speed with one finger. The main dial on the top plate is handsomely designed and combines shutter speeds, AE settings, ISO, and exposure compensation all in one place. These little pegs make it a cinch to snap your favorite #120not120mm rolls into place and remove. One of the things I don’t enjoy about medium format is fiddling with the spools trying to load the film properly, especially under time constraints. I appreciate the clear markings to fit the hood on, saving me some unnecessary fiddling.

mamiya 6 review

The build is solid and the focusing and aperture rings are nicely spaced out. Not too heavy or light at about 8.8oz or 250g, it is well balanced fitted on the camera.

  • Flash sync at all speeds: 1/500th to 4 seconds & B (bulb).
  • The Mamiya 75mm f/3.5 G L is the standard normal lens exclusively for the Mamiya 6 system of rangefinder medium format cameras. 3 strap mount points allow easy vertical or horizontal carrying Hot Shoe and PC-Sync socket Wind / Rewind Single 185° wind-on strokeĬounter resets after black is opene Loading Swing open back load with locking mechanism Finish Black Power Two 1.5V batteries (SR44 or LR44) Weight 900 grams (no lens)ġ,150 grams (with 75mm lens) Dimensions With 75mm lens retracted:ġ55 x 109 x 69mm (WxHxD)With 75mm lens retracted:ġ55 x 109 x 106mm (WxHxD) Misc. Silicon Photo Diode receptor in viewfinderĮxposure compensation: +2 to – 2 EV (in 1/2 EV increments) Flash X-Sync (synchronized at all speeds) Internal “dark slide” for mid-roll lens change Metering Aperture priority AE Shutter #00 electronic leaf shutter B, 4 to 1/500 second with electromagnetic release and lock Mamiya 6 G 150mm f/4.5L Rangefinder Coupledģ4.8mm effective base length Viewfinder x0.58 (83%) magnificationĪutomated frame line selection: 50mm, 75mm, 150mm Camera name Mamiya 6 Camera type Interchangeable lens rangefinder Format 6×6 120, 220 medium format roll film (12/24 exposures) Manufacturer Mamiya Digital Imaging Co., Ltd Manufacture dates 1940-1960: Mamiya 6ġ993-1995: Mamiya 6 MF Lens mount Mamiya 6 Lenses Mamiya 6 G 50mm f/4 L It is sometimes called New Mamiya 6 to differentiate it from the original mechanical camera. Other than the film format and name, it has nothing in common with the original Mamiya Six. The camera should not be confused with the similarly named line of Mamiya Six cameras from the 1940’s & 50’s.

    MAMIYA 6 REVIEW FREE

    The Mamiya 6 is relatively svelte, easy and fast to use and makes sharp images due to the silent and vibration free electronic leaf shutters and rangefinder-design lenses. The Mamiya 6 was introduced in May 1989 and is a 6×6 cm (2¼” square) rangefinder camera taking #120not120mm and 220 film with three interchangeable lenses of 50mm, 75mm and 150mm. In this review, we’ll be taking a closer look at the Mamiya 6 with the 75mm f/3.5.

    MAMIYA 6 REVIEW SERIES

    The Bronica ETR series shoot 6×4.5 cm frames so if you want a bigger negative, Mamiya is the way to go.

    mamiya 6 review

    If you want smallish size and lightweight and you need to swap focal lengths, your options are limited to the Bronica ETR series or Mamiya 6/7.

    mamiya 6 review

    Of course there are the Rolleiflex TLR’s and their brethren, the legendary Plaubel Makina 67 family or Fuji foldables like the GF670 for relative featheriness but you’re stuck with a single lens.

    MAMIYA 6 REVIEW PORTABLE

    Thus a lightweight portable option has always been, still is, and will always be desirable. The neck, shoulders and back? Not so much.

    mamiya 6 review

    There’s no doubt that anyone who has shot medium format film loves those huge negatives or slides you get back.










    Mamiya 6 review